J. K. Rowling's The Casual Vacancy, and An Accomplishment or Two

Rowling's newest novel, The Casual Vacancy, isn't as different from Harry Potter as people think it might be.

I forgot who the author was while reading - something that actually didn't happen the first time I read Harry Potter and the Order of the Phoenix, because I'd slipped and caught a brief part of a review that averred that all Harry did was get angry all the time. So I was very glad to have avoided all spoilers before reading the latest Rowling.

Don't read this post above the line of stars if you want to avoid spoilers, too!


Omniscient narrative isn't everyone's cup of tea, but I love it when it's done well, as Christopher Brookmyre does in Pandaemonium and Rowling does in The Casual Vacancy. There was one specific instance, which I'll go into in more detail during a Virtual Surrey workshop, where the narrative follows a group of characters full circle, and then comes back - with an extra bang of revelation - to the character who opened the chapter.

I must admit, I've had a couple of people say things to me like "what's she peddling now, doesn't she have enough dough?" Obviously such snark has not come from writers, who realise how lucky they are if the ideas continue to flow. The New York Times reviewer, especially, has some particularly schadenfreude-driven comments to make. The site no longer accepts comments, so I'm distilling a few of my reactions here, having devoured the book in a couple of days - Rowling has always been deft at pacing.

"There is no magic in this book", the reviewer says, having missed completely the magic of children who, despite being slapped in the face time and again with their parents' failings and failures, still manage to find hope in the world, still seek an adult to trust and emulate.

"...this novel for adults is filled with... self-absorbed, small-minded, snobbish and judgmental folks, whose stories neither engage nor transport us." Methinks the reviewer might have recognised himself in Rowling's latest cast of characters. His opinion that the "real-life world she has limned in these pages is... dull" strikes me as rather a feeble protest. I'd be interested in going back to see what the New York Times has had to say about Jonathan Franzen's The Corrections over the years. Now there were some dull characters, hiding behind clouds of self-delusion and prescription pills. Stuart Wall, one of Rowling's main characters, is on an unending quest for a Holden Caulfield-like authenticity, and his creator seems to have heaps more of it than Franzen did.

In the same breath, the reviewer goes on to note that the book features "alarming scenes of violent domestic abuse." Alarming? Where on this planet does he live?

"Instead of an appreciation for the courage, perseverance, loyalty and sense of duty that people are capable of, we are left with a dismaying sense of human weakness, selfishness and gossipy stupidity." So, just another glimpse of reality, then. Not to mention that he seems to have skipped every part of the book that dealt with Krystal Weedon, who was made up of equal parts courage, perseverance, loyalty, and a sense of duty.

The reviewers most unforgivable comment, though, comes when he says that in the Harry Potter series "the civil war was literally between good and evil; here, it is between petty, gossip-minded liberals and conservatives." He's basically implying that supernatural elements make people's lives worthwhile, but without magical powers, real life is hardly worth the trouble to be good.

The Guardian reviewer, meanwhile, though generally positive, notes that "the inhabitants of Pagford – shopkeepers, curtain-twitchers, Daily Mail-readers – are mostly hateful Muggles, more realistic versions of the Dursleys, the awful family who keep poor Harry stashed in the cupboard under the stairs. The book has already been dubbed Mugglemarch." How quickly people forget. There were curtain-twitchers and hateful folk among the witches and wizards too. Let's not ignore Harry's other scar - I must not tell lies - and the witches and wizards responsible for it.

I'm not sure where the reviewer gets the idea that Krystal and the others in her neighbourhood "use a kind of generalised, Dickensian lower-order-speak, that owes more to written convention than anything real: "I takes Robbie to the nurs'ry"; "Tha's norra fuckin' crime"; "No, shurrup, righ'?"" - I've heard people speaking like this. You don't have to go far from your Guardian offices at King's Cross, Mr. Reviewer, if you want to hear the same. Just take the Tube to the end of the line somewhere, someday.

Finally, the reviewer ends with this probable reason for why the Harry Potter books have been so popular: "people still enjoy reading about good people, and seeing them rewarded." Right, and then they can go back to their mean-spirited, petty, selfish lives? Good on Rowling for not mincing words. Nearly 15 years later than his book, she's accomplished all of what Julian Barnes tried to do in England, England

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I accomplished something on Monday!

Woke up out of a dream with another story idea and for once had the time - day off for Canadian Thanksgiving - and the space in which to sit down and write it. So here's what I managed to do, all for the very first time:

1. Write an entire story in one sitting
2. Draft an entire story on the computer from start to finish (love Scrivener!)
3. Write a story without using a single square bracket (though I did keep a sticky note handy of the three or four facts and references I had to double check)
4. Not turn on an internet browser the entire time I was writing
5. Write more than one erotic scene in one sitting
6. Name all the characters and give the story a title without taking days to do it

So what's it about, you might ask. The story is a short one - 5725 words - called At Summer's End, an erotic romance about two characters who meet on vacation and overcome deceit, secrets, and their own fears of risk, as they explore a newfound passion and fall in love.

Kinda derailed my ROW80 goals for a moment there, but I'm not complaining! Now I just have to edit the story. Printed, of course. Heh.

Speaking of new stories, you can still vote over at WRiTE CLUB. And look! New Tolkien! Gotta love your favourite author when, 40 years after his passing, he's still got new releases coming out. I wonder why they waited so long with this one?

"HarperCollins has announced the acquisition of Tolkien's never-before-published poem The Fall of Arthur, which will be released for the first time next May. ... These are the 'new' poem's opening lines:

'Arthur eastward in arms purposed
his war to wage on the wild marches,
over seas sailing to Saxon lands,
from the Roman realm ruin defending.
Thus the tides of time to turn backward
and the heathen to humble, his hope urged him,
that with harrying ships they should hunt no more
on the shining shores and shallow waters
of South Britain, booty seeking.'"

Which books have you gotten excited about lately?
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