Hearing Characters
There's a great thread just started over on the CompuServe forum about how writers hear their characters speak (the thread is called Open Question). Here's my little contribution:
Sometimes I hear or read something – a word, a phrase, a lyric – and it starts the ball rolling, whether action, dialogue or monologue, and I have to write it *now* or I’ll lose it. These are the ideas that come fully-formed, often at the beginning of a new story, and are generally the roughest stuff – need a lot of hacking through in the editing process.
Then there are the linking scenes, every place in the manuscript that says [need link here] – these are the short, bridging scenes that I have to write to make the story flow, but where I know I definitely don’t want to say “they all went to bed and woke up the next morning” :-) These take some craft to pull through.
Then there are other times when I have to force the characters to talk – in a scene where I know what happens in the beginning, the middle and the end, but just can’t seem to write. These are usually the times when my inner critic is speaking much louder than my inner muse. For me, this usually centres around dialogue. That voice starts up: “this is crap dialogue, five year olds sound more sophisticated than this, what are you doing, give it up.”
But the story must be told. I love this little book, I have to make it the best I can so I can put it out into the world. And I force myself to sit and write. This is where Diana Gabaldon’s idea of kernels and digging where the ground is soft come in – that’s exactly what I do with fiction and what I do even with non-fiction – find a place to start. I might look through my research books, or listen to music or even clean the house or be sitting at the office or something – but all the while the scene is rumbling in the back of my head and I’m trying to get a feel for what’s going on... And usually a line or an action bubbles up, giving me a place to begin exploring.
There’s never a "perfect" time to begin; it’s the act of actually setting pen to paper (or, for others, fingers to keyboard) that leads to words. Words may be silly, blunt, unemotive or wrong – but they can always be edited. You can’t edit what’s not there in the first place...
Edited to link to Snail's Tales - hearing snails!
Sometimes I hear or read something – a word, a phrase, a lyric – and it starts the ball rolling, whether action, dialogue or monologue, and I have to write it *now* or I’ll lose it. These are the ideas that come fully-formed, often at the beginning of a new story, and are generally the roughest stuff – need a lot of hacking through in the editing process.
Then there are the linking scenes, every place in the manuscript that says [need link here] – these are the short, bridging scenes that I have to write to make the story flow, but where I know I definitely don’t want to say “they all went to bed and woke up the next morning” :-) These take some craft to pull through.
Then there are other times when I have to force the characters to talk – in a scene where I know what happens in the beginning, the middle and the end, but just can’t seem to write. These are usually the times when my inner critic is speaking much louder than my inner muse. For me, this usually centres around dialogue. That voice starts up: “this is crap dialogue, five year olds sound more sophisticated than this, what are you doing, give it up.”
But the story must be told. I love this little book, I have to make it the best I can so I can put it out into the world. And I force myself to sit and write. This is where Diana Gabaldon’s idea of kernels and digging where the ground is soft come in – that’s exactly what I do with fiction and what I do even with non-fiction – find a place to start. I might look through my research books, or listen to music or even clean the house or be sitting at the office or something – but all the while the scene is rumbling in the back of my head and I’m trying to get a feel for what’s going on... And usually a line or an action bubbles up, giving me a place to begin exploring.
There’s never a "perfect" time to begin; it’s the act of actually setting pen to paper (or, for others, fingers to keyboard) that leads to words. Words may be silly, blunt, unemotive or wrong – but they can always be edited. You can’t edit what’s not there in the first place...
Edited to link to Snail's Tales - hearing snails!
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